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Road at Auvers-sur-Oise by Cézanne

  • This 3D limited edition oil painting reproduction allows you to see and feel the texture of Cézanne's original artwork, allowing you to experience the masterpiece as he intended.
    Read the story behind the painting >

    • Certified Limited Edition of 950 prints world wide. 300 North America, 300 Europe, 300 Asia, 50 Museum 
    • Verus Art re-creations are printed on premium aluminum panels using the highest quality archival inks
    • Re-creation size: 54.7 x 45.9 cm (21.5 x 18.1”)
  • With a glossy wooden finish, the museum selected frame beautifully complements this Cézanne re-creation. Two alternative options allow you to best coordinate with your décor.
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VERUS ART RE-CREATION FEATURES







Road at Auvers-sur-Oise, by Cézanne Painting Close Up




MUSEUM QUALITY OIL PAINTING REPRODUCTIONS

Verus ARt produces the highest quality fine art reproductions by working alongside the National Gallery's Director of Conservation to compare the original oil painting against the edition's master proof before authentication.

 




THE STORY BEHIND CÉZANNE'S PAINTING

When Cézanne gave up his legal studies to become a painter in 1861, one of the first artists he met was Camille Pissarro.  The two would stay lifelong friends and Cézanne later credited Pissarro for all that he became.  Critically, Pissarro took the younger man to paint out of doors, and showed Cézanne the importance of careful, structured paint application.   These factors set Cézanne on the road to become one of the most influential artists of the early twentieth century; his often minimal, analytical and precisely structured paintings changed the way we see the world.

This work was made around the time Cézanne left Paris for the countryside of Auver-sur-Oise, within walking distance of Pissarro’s home in Pontoise.   This was in a sense an eventual and full commitment to painting outdoors, and directly from observation.

The artist has set himself a challenge in his selection of viewpoint; a rising, rutted road winding through a jumble of buildings toward a hidden horizon. In terms of touch, we can see residues of his heavy-handed early style, in which he relied heavily on the palette knife to plaster on slabs of paint. This painting shows no evidence of knife work, but he uses his brush to assertively lay on fat smears of bright paint, especially in the blustery sky.  Elsewhere however we can see a more considered approach, with serried dabs of paint used to articulate form – these touches would later become the hatched faceting by which he broke down and reassembled his visual world – the hallmark of his later work. 

Additionally we can see him making sense of this rather jumbled scene by emphasising the verticals and diagonals of the buildings and trees, and flattening the planes between them – this tendency toward restructuring perspective also a characteristic of his later work, that would influence the course of later painting, particularly Cubism.

 




ABOUT PAUL CÉZANNE

Paul Cézanne Self Portrait

Cézanne became one of the most influential artists of the early twentieth century; his often minimal, analytical and precisely structured paintings changed the way we see the world.

Paying extremely close attention to detail, Cézanne adopted an analytical approach to putting on canvas what visual sensations he recorded - with colour, line and ‘form’ constituting as one and the same thing. This is also represented in the way he applied his pigments to canvas, to ‘construct’ a piece with fine, methodical brushstrokes to give the painting overall structural integrity.  

As his style and theories about art developed over his lifetime, Cézanne is seen today as one of the most powerful links between Impressionism and artistic movements towards Fauvism, Cubism and Expressionism.





RE-CREATION FRAME CHOICES

Add your own finishing touch to your Cézanne re-creation with a choice of three premium hand-crafted Larson-Juhl frames:


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